UPCOMING EVENT
WHAT LSN IS
WHAT WE DO
Most independent films and screenplays are finished and then stall. Not because the work is weak, but because nobody ever told the filmmaker where it belongs, who buys it, or what is standing in the way.
We work on three fronts:
Festivals. Eight genre festivals, twice a year, screened in Tbilisi and online. Real audiences fill in structured forms while they watch. Every project gets written feedback: a full Audience Feedback Report if selected, an LSN Reviewer Note if not.
Honest reads. A structured market assessment of a finished film or screenplay: which buyers and channels realistically fit, what is blocking a deal, and what to fix first.
Representation. We package finished work and pitch it directly to buyers and producers. Always non-exclusive: you keep the full right to sell it yourself, and owe us nothing on deals you close on your own.
THE FESTIVALS
Eight genre festivals. Twice a year. Tbilisi and online.
Films and screenplays, all genres, AI-driven work accepted.
Selected projects screen in front of a live audience in Tbilisi and on our Festival Channel the same night, and come away with structured audience feedback, a written jury statement, official laurels and a certificate.
Projects that are not selected get an LSN Reviewer Note: a brief expert read on the work and where it sits. Most festivals send a form rejection and keep the fee. We think that is the part worth fixing.
START WHERE IT MAKES SENSE
Most projects don't need everything we do. The point of step one is finding out which parts you actually need.
If you don't yet know whether your film or screenplay has a market, start with a Market Read: a structured written assessment of where it realistically sits, which channels are currently active, what is blocking a deal, and what to fix before you send it anywhere else. Nine sections, delivered in minutes.
It is an AI read and says so on the first page. It will not tell you whether the work is good. It tells you where it can go, including when the honest answer is nowhere. We publish one of those reports as a sample.
HOW WE WORK
We work in order, and we don't skip ahead. Outreach before positioning burns the contact: you get one first impression per company, and a badly framed pitch closes that door for a year.
01 · Diagnose — What you actually have commercially, and whether a market exists for it.
02 · Position — The frame: genre lane, logline, the business case a buyer can repeat.
03 · Package — One-sheet, deck, key art, technical readiness, clean rights.
04 · Represent — We pitch buyers and producers we know, and report every approach and where it stands.
Most projects don't need all four. That's the point of starting with step one.
Audience response comes from real viewers, including a panel of reviewers who watch and read submitted work under a structured evaluation model. If you want to take part, we're always looking. Become a reviewer →
WHAT WE OFFER
For filmmakers and screenwriters
· Market assessment
· Positioning and packaging
· Festival and buyer targeting
· Direct representation
· Technical QC, subtitling and delivery prep
For content buyers
· A curated catalogue of independent films and screenplays that have been screened to real audiences, checked technically, and warranted on rights before we present them.
We do not promise a sale. Anyone selling you a certainty is selling something this market does not offer.
TESTIMONIALS
WHAT'S NEXT?
Not Sure Where It Goes?
A Market Read is a structured assessment of a finished film or screenplay: which buyers and channels realistically fit, what is blocking a deal, and what to fix first.
Nine sections, delivered in minutes.
It tells you where the work can go, including when the answer is nowhere.
OUR PARTNERS
